Third wheel
Shawn Marion (left) has never been the face of the Suns, in part because of teammates Amaré Stoudemire (center) and Steve Nash.
It hurts him that he has never been The Man in Phoenix. Jason Kidd was The Man, then Stephon Marbury was The Man, then Nash became The Man the moment he showed up in the summer of 2004. There have always been other Hamlets, while Marion has been consigned to the role of Rosencrantz or Guildenstern. Worse, Stoudemire, before his injury, seemed to have settled into Second Man status behind Nash, leaving Marion as the Third Wheel.
After he was selected as an All-Star reserve, Marion said, "Ever since I've been in Phoenix, I tried to make myself the face of the Suns on and off the court. That's what it's all about."
But he is not the face of the Suns. Nash and D'Antoni are the dual faces, and, whenever Marion's face appears, Stoudemire's is likely to, also. That drives him crazy. He appreciates Nash and gets along with him, but he doesn't feel the same about Stoudemire.
"Around here, it's Steve this and Amaré that," says Marion. "What people forget is that I had to adjust my game to different people. I had J-Kidd. I had Steph. Now I have Steve. All of them are different. I made the adjustments. You got to give me credit now. Don't overlook that.
"The other thing is, people judge players on points. And I think that's wrong." That is obviously directed toward Stoudemire.
During the season, Marion was angry that his likeness didn't appear among the huge bobblehead dolls in the Suns' team store in the arena -- the featured ones, of course, were of Nash and Stoudemire. During a couple of regular-season games, a drum line of young men performed during timeouts, all wearing replica jerseys of either Nash or Stoudemire. No Marion. He noticed. It sounds trivial to be complaining about that kind of stuff, particularly when you're compensated as a maximum player, but Marion had a point. There is Stoudemire, not even active, clowning around on the bench, and there is Marion trying to defend Odom, and yet Stoudemire gets all the love from the drum line. For all the bravado and posturing in the NBA, it is a breeding ground for insecurity.
Marion is also distressed that he doesn't have more of a national profile, both on and off the court. Stoudemire, in street clothes, got more All-Star fan votes than Marion did this season. Marion's main endorsement is with the Room Store in Phoenix, a deal that supplies him with furniture for his mansion in Scottsdale, and the commercial Marion did for the store loops endlessly on local television. He isn't one of Nike's main men, but he does have a signature sneaker, and his swoosh commercial -- which was quite good; it showed Marion dominating a pickup game while wearing a weighted vest -- ran often during the regular season on national TV. None of the Suns, in fact, Nash and Stoudemire included, are big-time endorsement figures.
Feeling dissed is a common malady in the NBA; the issue is, how does a player react to it? Marion, when feeling undervalued, sometimes gets inspired and sometimes goes into a funk, which is what the staff doesn't want to happen in the remaining games of the series. Two Marion problems had emerged from Game 2. The first is that he wanted to stay, in Iavaroni's words, "hooked" to Odom.
"A certain situation came up in a huddle and I said, 'Okay, Shawn, just switch,'" says Iavaroni. "And he says, 'No, I want to stay on him.'"
That is a frequent problem coaches face when trying to communicate the importance of team defense and shared responsibility. A player might come off his man to double-team or trap another player -- Marion is adept at that part of the game when motivated -- but then get ripped in the press if his man scores a lot of points.
The coaches also have to figure out how to get Marion running on every play, on every turn from defense to offense. Matrix in full flight is the Suns' most potent weapon. But Marion, who averaged 40 minutes per game during the regular season (five more than Nash), argues that he can't always run if he's under the defensive basket wrestling with giants. Marion is fond of mentioning that D'Antoni rarely calls a set play for him, and that he needs to get his points "in the flow of the game," as he said after the depressing Game 2 loss. This ignores the fact that the Diaw-to-Marion backdoor lob is probably the "settest" play in the Suns' arsenal.
Acting the part
There are other worries, or, rather, just a kind of undefined, general one. The Suns didn't play well, really, in either of the two games. Their offense, in fact, has really not played well since they scored 72 points in the second half to thump Sacramento in a statement game on April 11. Bryant has not yet taken over, which he might decide to do at home in the Staples Center, and the Suns perhaps won't be able to weather it. Each coach deals with the uncertainty in his own way, Iavaroni digging into his personal vault of defensive schemes, D'Antoni latching on to his personal credo that, "We're not scoring because we're not pushing," Dan insisting that it's all about effort and will. "I don't think we came out in Game 2 and played like you should in a playoff game," he says. "We didn't come out and say, 'F--- you.'"
"That's it," says Iavaroni, endlessly searching for the perfect phrase to tell the team. "We have to get back the f---- you factor."
As the morning shootaround gets underway at the Staples Center, Marion spies Jim Caviezel, sitting courtside.
"Hey, I know you," he says, shyly.
"I'm an actor," says Caviezel.
Marion smiles. "I'm an actor, too."
"Yes, he is," says Iavaroni. "And in the role of the Matrix . . ."
"I loved you in that," says Caviezel.
Marion positively beams. Most athletes quickly learn now to adopt a superior attitude to the public at large, but they still turn into little kids in the presence of movie stars. Stoudemire, on hand as a spectator, edges over to Caviezel during practice and talks to him for 15 minutes, no doubt positioning himself as a future action hero. "Black Jesus meets White Jesus," says Iavaroni. (Stoudemire has a "Black Jesus" tat on his neck.)
During the film session, Gentry, the pro's pro, sits by Marion, clarifying points from time to time, but mainly just letting him know that the coaching staff is still behind him.
Later, at a restaurant near the hotel, Jesus doesn't make the check disappear, but he does buy lunch.
Lost in L.A.
It's 30 minutes before game time at the Staples Center and nobody looks overly nervous. Perhaps it's an act. In trying to figure out what mentality they should adopt, the Suns finally decided upon "loose," having concluded after Game 2 that they had, according to Eddie House, "lost that carefree attitude they had during the season." Gentry emerges from the wings meeting, doing the that's-right-I'm-bad walk that Richard Pryor and Gene Wilder did in Stir Crazy. Stoudemire, who was born in Lake Wales, Fla., and whose favorite team is Florida State, and James Jones, who graduated from the University of Miami, are engaged in a spirited debate over which school has sent the superior talent to the NFL, going through it on a position-by-position basis. If Stoudemire is able to devote half that degree of attention to the rudiments of defense, the Suns will be a much superior team next season.
D'Antoni's main message is to be offensive-minded:
"Okay, guys, catch and shoot. Catch and drive. Dribble-ats. Spread the floor. Attack, Spread the floor. They do have a habit of touching the ball and messing with it. [He means that after the Lakers score they sometimes catch the ball or bat it away to keep the Suns from quick-breaking.] We'll try to bring it to the refs' attention, but you should just grab it and get running. Okay, Noel."
That is the signal for Noel Gillespie to turn on the video. Last season D'Antoni came upon the ploy of ending every pregame session with a minute or so of hig-octane Suns' offense. Every possession ends in a basket. The players watch raptly. They can never get enough of their own success.
"This is when we're at our best," says D'Antoni as the video runs, "when we're changing ends on the fly. They have no answer for it. Kwame is awful. Odom's a very average defender. Vujacic [backup point guard Sasha Vujacic] can't guard anybody. And Bryant in the open floor takes chances that aren't good. Let's go get 'em."
The coaches retreat to the small office. Like many arenas around the NBA, the Staples Center devoted little money to the visitor's dressing room. Suddenly, from out in the hallway, comes the voice of Nash.


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